In 2020, Olivia Laing began to restore a walled garden in Suffolk, an overgrown Eden of unusual plants. The work drew her into an exhilarating investigation of paradise and its long association with gardens.

Moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.

But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris. New modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change.

'This isn’t a historical survey of gardening, much less a practical guide, so much as an inquiry into the idea of the garden — its history and poetics, its relationship to sex, imagination and power. Laing belongs in an as-yet-undefined and perhaps undefinable class of prose artists who blend feeling and analysis, speculation and research, wit and instruction as they track down the elusive patterns and inescapable contradictions of modern experience.' — New York Times

Pan Macmillon, 2024, Hardback, 336pages.