2025 tenth anniversary edition with a preface by Natasha Lehrer

Book of the Year in the Guardian, TLS and The White Review
Winner of the Scott Moncrieff Prize for Translation from the French 2016
Shortlisted for The French-American Foundation Translation Prize 2017
Longlisted for The Albertine Prize 2017
Listed in Danielle Dutton’s, Eula Biss’s and Catherine Lacey’s Top 10s in the Guardian, 2017, 2021, and 2023.

Winner of the Prix du Livre Inter 2012

First published in France in 2012 to critical acclaim, this is the first book about the remarkable American actress and filmmaker Barbara Loden. Loden’s 1970 film Wanda is a masterpiece of early cinéma vérité, an anti-Bonnie-and-Clyde road movie about a young woman, adrift in rust-belt Pennsylvania in the early 1960s, who embarks on a crime spree with a small-time crook.

How to paint a life, describe a personality? Inspired by the film, a researcher seeks to piece together a portrait of its creator. In her soul-searching homage to the former pin-up girl famously married to Hollywood giant Elia Kazan, the biographer’s evocative powers are put to the test. New insights into Loden’s sketchy biography remain scarce and the words of Marguerite Duras, Georges Perec, Jean-Luc Godard, Sylvia Plath, Kate Chopin, Herman Melville, Samuel Beckett and W.G. Sebald come to the narrator’s rescue. As remembered scenes from Wanda alternate with the droll journal of a flailing research project, personal memories surface, and with them, uncomfortable insights into the inner life of a singular woman who is also, somehow, every woman.

Immensely readable, extremely thought-provoking and really quite haunting […] And best of all, it achieves that most elusive feat of never reading like a translation.’  — Lydia Syson

Les Fugitives, 2025, 144pages.