A singular achievement, Christina Sharpe’s Ordinary Notes explores, with immense care, profound questions about loss, pain and beauty; private memory and public monument; art; complexity; and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that cumulatively gather meaning, artifacts from the past – both public ones and the poignantly personal – are skilfully interwoven with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. ‘I learned to see in my mother’s house,’ writes Sharpe. ‘I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.’ Using these gifts and other ways of seeing, a chorus of voices and experiences is summoned to the page. Sharpe practices an aesthetic of ‘beauty as a method’, collects entries from a community of thinkers toward a ‘Dictionary of Untranslatable Blackness’, and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

‘Ordinary Notes is like an intellectual ice climb – you move along a careful series of handholds to cross a terrain that might otherwise seem impassable, and afterward, you are amazed at the passage. At once an act of careful attention and a juxtaposition of observations and questions, the result is a powerful vision of American life, drawn from the Black intellectual history and aesthetics that Sharpe has cultivated as the means to her own liberation, so that she might offer it to others.’ —Alexander Chee

Daunt Books, 2023, Paperback, 382pages.